Voyage la Lumière presents
Le Vert-de-Grèce.
An exhibition in one object, in two colours · Limited run
Pl. 1
Voyage la Lumière
Le Vert-de-Grèce and Le Rouge-de-Cuivre, 2026
Brushed suede, open black mesh, puff and flat embroidery
One size, adjustable
Limited run
L'Objet
Pl. 2
Front
Pl. 3
Three-quarter
Pl. 4
Profile
Pl. 5
Front
Pl. 6
Three-quarter
Pl. 7
Profile
Pl. 8
The tab
Pl. 9
From above
Pl. 10
The embroidery
Pl. 11
The inside
Pl. 12
The adjuster
Pl. 13
The mesh
Pl. 14
The tab
Pl. 15
From above
Pl. 16
The embroidery
Pl. 17
The inside
Pl. 18
The adjuster
Pl. 19
The mesh
Pl. 20
In the garden
Le Rouge-de-Cuivre
Le Vert-de-Grèce
A$88 · Limited run · One size, adjustable
Dispatched from Australia in one to two business days, tracked
La Main
Pl. 8
Stitched, never printed.
The house name raised in puff; the script laid flat beneath it.
Le Porteur
Pl. 9
Close
Le Vert-de-Grèce
Under one light, only one of them is ever fully lit.
Pl. 10
Above the yard
Le Rouge-de-Cuivre
Pl. 11
Between records
Le Vert-de-Grèce
Pl. 12
The city behind
Le Rouge-de-Cuivre
Pl. 13
Over the shoulder
Le Vert-de-Grèce
Les Noms
Vert-de-Grèce is not a shade anyone chose from a chart.
It is what happens to copper left out in the weather: the green that arrives on its own, after years, and never leaves.
In old French it was vert de Grece, green of Greece, from the bronze the Greeks left standing in the open air. We named the first piece after that. Not for the colour. For the fact that the colour has to be earned.
The second colour is named the same way, and comes from the same metal. Copper left in the weather turns green; copper taken through fire turns red. Rouge-de-cuivre is the red the kilns have chased for centuries, and the one the fire still ruins more often than it grants. One metal, two colours, neither of them chosen.
vair · duh · gress
roozh · duh · kweev-ruh
Les Détails
Pl. 14
Study, with five details
Shown in Le Vert-de-Grèce
L'Acquisition
Pl. 15
FrontFront
Acquire the work
Le Vert-de-Grèce
A$88
